Sunday, February 1, 2015

Trigger 1. Storytelling and corporate communication

·   1. Why do or do not companies use storytelling in corporate communication?

“Help me hire a hit man” – reads the sign of a panhandler outside a subway station in San Francisco. Apparently, she does quite well.
In Olympia, Washington, a guy gets similar results with motorists by holding up a placard that says: "Why lie? I need a beer."
A man in Times Square offers this only-in-New-York service: "Tell me off. One dollar."
These three entrepreneurial panhandlers succeed (in their own way) because they know something many business people have yet to discover: Nothing's more powerful than a good story.
Of course these stories rely on humor to succeed, but there's much more to them than that.
They grab and hold your attention — motivating "customers" to "buy" — because they're personal, credible, compelling, and delivered with commitment and consistency.
Grounded in a big idea
"In business," says Cary Brazeman, principal of The Corporate Storyteller, "an effective corporate story usually begins with an idea, the same idea that is the basis of the business plan. What's the company's raison d'etre... its promise to business customers or consumers? That big idea should be the basis of the corporate story."
Great business performances often elude otherwise strong organizations because their stories are poorly conceived or inadequately told.
"In most markets," Brazeman says, "saying your company provides 'exceptional customer service' or makes 'value-added' products doesn't inspire a prospect, because your competitors either do the same things or say they do. Corporate storytelling digs deeper and reflects on the core principles that define a company and its personality."
As important as language is to effective corporate storytelling, it alone is insufficient. "The KitchenAid blender on my kitchen counter is there as much because its design captured my imagination as it is for its functionality. That's part of KitchenAid’s story, and part of their sell," Brazeman says.
"Likewise, the American Express card in my wallet is a true testament to the benefits of 'membership.' I like the fact that they track my purchasing habits and call if I buy something that doesn't fit my profile to be sure the card wasn't stolen. That kind of service is part of the American Express story."
 The challenge for public companies
For public companies, effective corporate storytelling is especially important. Investors put a price tag on them every day, and so goes their cost of capital, investment return and growth.
"The stock market can be brutal and unforgiving," Brazeman says. "It minces no words. But it's arguably the most honest barometer of a company's future prospects. For listed companies, corporate storytelling is about showing investors why they should bet on you."
Brazeman adds that the best corporate stories often are powerful in their simplicity.
"They need not begin with 'Once upon a time,' but they dramatically improve the odds of happy endings."
***
Storytelling, an important part of human communication, is being increasingly used by companies to communicate their values and build trust and connection with employees and customers.
A good story can create emotions and feelings among the audience, can simplify and transmit complex messages.
One of the problems with communicating your message, that many companies now face, is how to break through all the noise and disturbances created by their competitors and reach their target group in a real and concrete way. Differentiation has become even more important than before and the margins within which the companies are able to do this even smaller. This is because the consumers are so used to being bombarded with information and competition between companies often is fierce. These modern target groups who are more likely to disregard commercials, protect their mail from spam, and turn a blind eye to advertisements on every third street corner they pass, are proving difficult to sway. The circumstances at hand have given rise to a situation that compels companies to think outside the box in order to reach their target groups.
Shankar says that “as soon as we enter the world our parents to tell us stories and so we become socially and culturally into understanding the narrative form”.
Storytelling is a method that has been progressively used by companies as a tool to attempt to lessen the gap between consumer and company or employee and company and create a bridge of longevity, loyalty, mutual understanding, connection and trust.
Using stories when conveying a message is a way of triggering what is already latent in all of us. This is held to be true according to psychologists researching the Jungian and the cognitive approach, “stories are a fundamental part of human intelligence and imagination”. (McLellan)
Good stories can create a feeling of satisfaction of the experience you have just been through (McLellan). In this context, how to communicate a good story that will serve the objectives that almost all modern companies want to achieve, long and fruitful relationships with both consumers and employees.
Corporate storytelling can be said to be that added abstract value that a consumer is more than happy to pay a premium for. The technique itself is built on a basis of pedagogical and psychological techniques used to create a lasting memory with a spectator or listener. This is made by creating a context around the main message that the conveyer wants to communicate or as McLellan describes it, as a way of framing information so that it is understandable, meaningful, and memorable”. In this way an abstract value can created and the listener’s or spectator’s own emotions are evoked by mere association and this can, among other things, have a positive effect on creating solid customer relationships and spreading the organization’s values among employees.
The power of storytelling lies in the fact that it requires active listening, and provides mechanisms to emphasize meaning and feeling, which are not always possible with other communication methods. (McLellan)
Storytelling is a form of branding, or a means to achieve a strong brand. The brand can become strong if the story succeeds in conveying the correct mindset to the target group.
For the brand to have a great impact, it should be constructed on clear values, those values that are in imbedded in the core of the company.
According to Simmons, storytelling gives personality and meaning to products and brands and, therefore, companies can use storytelling to create and maintain images they would like to portray. This could be particularly useful for multinational companies, as maintaining the same product and brand image across countries and channels simply through conventional marketing communication could be challenging.
Figure 1. Core story connection

2. What makes an effective story and why?

Winner of Best Ad 2014

Simmons states that “if the story is good enough, people – of their own free will – will come to the conclusion that they can trust you and the message you bring”. It is important to tell stories in classical narrative forms, a story needs to have characters that all have specific roles to play. It also needs a plot and a timeline with a beginning, middle and an end. Moreover, Simmons points out that a good story also needs a conflict, without the conflict the story is not interesting enough. Shankar adds that the companies need to leave gaps in their stories to make sense of their consumption experiences and even part of their lives; moreover. They receive identities from stories and become a character in the stories.
Several researchers also emphasize that to make sure the stories are good companies need to create different types of stories based on different purposes and objectives. (Denning, Simmons, Erkas and Baron) Denning divides stories into different categories, such as stories that spark actions, communicate who you are, transmit values, communicate who the firm is, foster collaborations, tame the grapevine, share knowledge, and stories that lead people into the future.



3. How to determine a target audience and which channels to use to reach them?

The main target audience when using externally directed storytelling is the consumer, however, also other stakeholders are of great importance to this dimension.
It is important for the company to localize its target audience in order for it to direct its message in the correct manner. In this context companies can establish a communication that is interactive, that will serve the company’s purposes and through it gain valuable information. Externally directed storytelling has become increasingly interactive, not only because of the demands of the modern consumer, but also as a result of media like the Internet. Consumers are invited to join in on chat rooms and websites offered by their favorite company, or indirectly, through their favorite company product or through a membership in their favorite store.
The stories are no longer told by the companies, and according to Fog, this development is forcing companies “to pay attention to what their customers are saying, whether they like what they hear or not”. Therefore, inviting the consumers to participate and be part of the stories surrounding the company can become a way of encountering this problem.
According to Fog, the Internet gives rise to a completely new approach to storytelling. Online, anyone can become an avid storyteller and consumers have the ability to mobilize in great numbers on a global scale. There is strength in numbers, but also in the fact that the online media gets your message across instantly. Fog says that “this means that brands can be created and destroyed in the blink of an eye”.
There are different arenas on which storytelling can occur. Externally directed stories can be partrayed through the media or advertisements. Internally they are often communicated through more or less formalized internal newsletters of through the company intranet.
Shankar says that companies have to consider their positioning strategy in a larger context. Companies have to consider that the result of the story, when it comes to branding, can be that e.g. the market only can hold one ‘heroic’ brand.  The arena therefore becomes more complicated when the purpose is to use storytelling to position your company and differentiate it from others. In advertising, such as TV, radio, billboards and the Internet, companies are and have always used storytelling as a given when wanting to market themselves.
Today every company has its own website where it displays its products and stories surrounding it. However, Denning states that even though this media is quick and has a global reach, there are a few downfalls to using this arena for communicating your message. The most important issue in this case is that storytelling, among other things, is a way of creating a long lasting relationship with your customer. This, according to Denning, gets lost when using this type of media since “people being reached by digital advertising don’t know who is speaking or whether they can rely on the source”. He states that it is too easy imitated, it takes place in a context that is fostered by “thin and anonymous relationships” and claims that “digital storytelling is not interactive”. He bases this statement on that there is no “face-to-face relationship” and therefore the teller cannot adjust the story according to the reactions of the audience.
When it comes to storytelling, the question of whether the story has to be real or not brings up conflicting views. Denning stresses that it does not have to be true and that it is “important that the story creates meaning for the audience” and that the listeners can see the meaning in a more personal context, so that it becomes truer to them. The connection between the emotion experienced and the story being told, in other words, has to feel real, but that does not mean that the story has to be real.
According to Sole and Gray-Wilson, there are 3 major problems related to storytelling:
1.       Seductiveness
2.       Single point of view
3.       Static stories
When a story is overly seductive, the audience could be distracted from its purpose, this might cause them to blindly absorb the story instead of skillfully evaluating it.
The second rick is that the story is often told from the teller’s perspective, which can be an organization or one person. A story told from a single point of view often excludes other interpretations and imaginations, and can even be misleading.
Static stories refer to those stories that do not undergo significant changes, the impact of a story also varies depending on how it is delivered, whether through oral, written or other forms.
An additional disadvantage is that the same story may not work in every culture, as we are often culturally and socially conditioned into understanding certain form of story. (Shankar) The meaning of stories may also be subject to interpretations, that is, different audiences could interpret stories differently. (Reiter)

Sources:

·         The Corporate Storyteller (www.thecorporatestoryteller.com)
·         Hermansson, E. & Na, J. How does company communicate through storytelling? 2008
·         Denning S. Effective storytelling: strategic business narrative techniques. Strategy and Leadership. 2006
·         Erkas, E. & Baron, J. The importance of storytelling in today’s business. 2007
·         Fog, K., Budtz, C. & Yakaboylu, B. Storytelling – Branding in practice. 2005
·         McLellan, H. Corporate storytelling perspectives. 2006
·         Reiter, S.A. Storytellers, stories and “free cash flow”. 1994
·         Shankar, A., Elliot, R. & Goulding, C. Understanding consumption: contributions from a narrative perspective. 2001

·         Simmons, J. Guinness and the role of strategic storytelling. 2006

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